| SCHEDULE: | 05.10. | 06.10. | 07.10. | 08.10. | 09.10. | |
| 10.10. | 11.10. | 12.10. | 13.10. | 14.10. | ||
pre-festival events
side bar Jocelyn Pook at Kinodvor
On the occasion of Jocelyn Pook Ensemble concert, organised by Cankarjev dom and presented at the City of Women festival on Monday, 10th of October at 7:30 pm in Linhartova dvorana, Cankarjev dom, it gives us great pleasure to present three movies with Jocelyn Pook (UK) original scores:
Anne Fontaine, How I Killed My Father (Comment j'ai tué mon pere)
03.10. at 10:10 pm
Laurent Cantet, Time Out (L’Emploi du temps)
04.10. at 10:10 pm 
Stanley Kubrick, Eyes Wide Shut
05.10. at 8:10 pm; 06 - 08.10. at 7 pm; 09.10. at 11:10 am and 7 pm; 10.10. at 8:10 pm; 11.10. at 5:10 pm; 12.10. at 10:10 pm; 13.10. at 8:10 pm; 14.10. at 9:10 pm
6. 10. – 15. 10.
Kinodvor, lobby, work base
CoWeb: technical workshop & festival documentation in collaboration with the Faces mailing list
Within the virtual reality of the CoWeb project and in conjunction with the Faces network, the festival shall, by way of the ‘make media’ principle co-generate the media image of the City of Women festival. As with many other public events, there is insufficient reflection in the sense of media presence as well as discourse. Departing from the topic and aesthetic guidelines of this year’s programme, we have invited young writers, theoreticians and artists from Slovenia and abroad to enter this virtual polylogue.
Co-ordinators / collaborators: Diana McCarty (USA / Germany), Katja Kobolt, Marina Gržinić and Dunja Kukovec (Slovenia) / Ushi Reiter (Austria), Maja Rebov, Nada Žgank and Mateja Peroša (Slovenia) and others.
Maja Bajević (Bosnia-Herzegovina / France): Avanti popolo, sound installation; Double–Bubble, video installation
Avanti popolo presents patriotic songs from different countries and regimes around the world, questioning the thin line between patriotism and nationalism. ˝Nationalism and false patriotism have created the backdrop of all the bloody events in our history. Does feeling together always have to involve being against someone else?˝
Double–Bubble questions the duality of religious ethics. Although all world religions promote peace and well-being, their essential norms are often misused and paradoxical.
Bodylab (Meira Asher and Joost Nieuwenburg); Netherlands: Face_WSLOT (Woman See Lot of Things), interdisciplinary installation
The societal art project Face_WSLOT explores the lives of three female ex-child combatants in post-war Sierra Leone, and the psychophysical adjustments they have undertaken in order to come to terms with their past. The experiences are transferred to the audience by the means of sound, film, textile, photography and cartography; transformed objects combined with real-time electronics, smell and interior design.
Robyn Orlin (South Africa / Germany): We must eat our suckers with the wrappers on …, theatre-dance performance
Robyn Orlin, a provocative and controversial choreographer, the daughter of a Lithuanian immigrant raised in Johannesburg, has been pronouncedly creating political performance art and dance. Recognised internationally thanks to the prestigious British Theatre’s Lawrence Olivier Award, her spontaneous, dynamic, and straightforward work bears an immense impact with simple means of expression. Rendered by fifteen performers educated at the Market Theatre Laboratory, We must eat our suckers with the wrappers on … is a visually and thematically soul-stirring ‘abstract ballet about AIDS’ (The Times) which confronts an epidemic that has reshaped Africa at the threshold of the 21st century.
Anita Ponton (UK): Still, live-art performance
The isolated figure of the lone female is central to Ponton’s work, combining installation, sound and film.
In Still, the performer examines feminine representation through a series of iconic poses, inspired by mythic, cinematic and actual ideals. Nailed to the wall by her hair for up to two hours, Ponton tests both the endurance of the artist’s body and the extent to which a performance can be stretched.
Other performances: Unspool, Oct 11th at 10:10 pm, Kinodvor; Baggage, Oct 12th at 10 pm, KUD France Prešeren.
kitch™ (Slovenia): kitch Wedding, wedding performance
A real wedding is one and at the same time a performance, a happening as well as pure marketing. Within the pompous wedding-concept, marriage becomes a parable of kitsch. This is not a marriage in the name of love, but exclusively of convenience! kitch Wedding happens because the law enforces marriage and because people like kitsch. It is a reflection of a life situation: for a foreigner the quickest way of attaining a status in any country is to get married to a citizen or a person with permanent residence in that country.
This time, the usually intimate wedding ceremony is open to the general public. Guest appearance: Sestre, musical trio and MM Checkman (Slovenia).
Estela Žutić and Gilles Duvivier (Slovenia / Belgium): Provolution Action, tour
Provolution Action is a guided tour (2 hours) on different locations in Ljubljana (Metelkova, Tivoli, Old Ljubljana, the vicinity of Cankarjev dom and the Parliament) which introduces numerous edible, healing and other beneficent herbs, bushes and trees that grow in city parks, green areas, and sometimes even on building sites or between paving stones. The aim of the project is to awaken consciousness as to their existence and rediscover an intimate connection with them.
Tours: Oct 9th at 4:30 pm, meeting point: Modern Gallery; Oct 12th at 4:30 pm, meeting point: Celica Youth Hostel; Oct 13th at 12 noon, meeting point: the Parliament.
Juhyun Choi (South Korea / France): Stories Under the Skirt, installation
Aurélie Levaux (Belgium): Girl’s Room, installation
Juhyun Choi and Sunyoung Choi (South Korea / France): My Mother's Hand, performance
Curated by Igor Prassel (Slovenia)
A multimedia approach, the employment of various materials and comic art are facets shared by two young authoresses. The gallery venue hosting this joint exhibition will be given over to visual images presented on various backgrounds (wood, cardboard, plastic, fabric, gum, etc.).
Upon entering the gallery one will pass under the installation entitled Stories under the Skirt which is made of nylons and balloons that form a tunnel of wide-open female legs. Next follows drawings, illustrations and comics make up the sweet pink world and the place of dreams in the Girl’s Room by Aurélie Levaux.
The exhibition will be opened by sisters Juhyun and Sunyoung Choi with a performance entitled My Mother's Hand, produced in the spirit of traditional Chinese shadow theatre. The performance will be accompanied by the violinist Jelena Ždrale (Slovenia).
Afrirampo (Japan): concert
Afrirampo – the latest stirring echo of the Osaka and Kyoto scene – is the female wildcat duet of Oni and Pikacyu who in their ardent performances maintain primitivism and chaos as the creative axis of their music. They playfully disguise the sharpness and aggressiveness of their contemporaries through lucid humour and ultimate infantility. The childish naivety of these twenty year olds mingles with sexuality, by way of which Afrirampo capsize the macho mythology of rock music. In 2005, they released their first full album, Urusainjapan, on Kioon Sony, while John Zorn released their following album Kore Go Mayaku Da (This is the Drug) on the Tzadik label. Last year on their tour they supported Sonic Youth, while this year they were invited by the event’s curator Vincent Gallo to participate at the prestigious All Tomorrow's Parties music festival near London.
kitch™ (Slovenia), post - wedding party
With: DJ k u r o k o and MM Checkman (Slovenia) 
Estela Žutić in Gilles Duvivier (Slovenia / Belgium): Provolution Action, tour
Silke Mansholt (Germany / UK): Die Gehängte (The Hanged Woman), healing performance
The audience witnesses the last encounter between a German woman and the burden of her country. Symbolic actions, text directed towards the audience, live vocal sounds, rich music and subtle expressive choreography blend into an atmospheric and moving ritual. “(…) Where Neo meets Goethe and Jesus has party with Adolf in heaven.”
Mansholt’s work explores the fertile terrain between the visual and the performative, and is acknowledged for the uncompromising, moving and humorous exploration of life and the inner self.
Touring: Monday, 10th of October at 7 pm, SNG Maribor, as part of the project [prologue] Reclaiming Europe from a New Feminist Perspective, MKC, Maribor
Silke Mansholt (Germany / UK): Die Gehängte (The Hanged Woman), healing performance
(reprise)
Documentary Film Cycle: specially curated by the Spanish theorist and writer Virginia Villaplana on the theme of in/security and gender violence in a global context.
Cara De Vito: Always Love Your Man (Ama l'Uomo Tuo, USA, 1975, 19’), video
Always Love Your Man is a portrait of director's grandmother and a telling critique of a patriarchal society. “Always love your man. No matter what” reveals how deeply rooted is her adherence to the social code that almost destroyed her.
Mandy Jacobson and Karmen Jelinčić: Calling the Ghosts (USA / Croatia, 1996, 63’), video
Calling the Ghosts recounts - in first person - the story of two women, Jadranka Cigelj and Nusreta Sivac, who lived in Bosnia-Herzegovina until they were captured and deported to the Serb concentration camp in Omarska, where together with other Croat and Muslim women they were systematically raped and humiliated by their captors. Winner of two Emmy awards in 1998 (Best Investigative Special and Direction).
Queen Mab Trio (Canada / Netherlands)
The trio – Lori Freedman (bass clarinet, clarinet), Ig Henneman (viola) and Marilyn Lerner (piano) – has been playing a variety of radical music for a decade. They are very adept at spontaneous improvisation; the so-called ‘new music’, drawing inspiration from such minimalists as Erik Satie and Louis Andriessen; as well as artfully organised jazz. In their new programme with the working title Thin Air, they play compositions inspired by the classical French romantic composer Héctor Berlioz. This particular presentation focuses on two of Berlioz's obsessions: the idée fixe (fixation) and William Shakespeare. In the end, the latter adds a new dimension to the trio's name: Queen Mab, the Celtic goddess of power, is at one and the same time a queen of drama, and bringer of the dreams.
Bilateral Focus (in co-operation with the Royal Netherlands Embassy)
Miha Zadnikar and Mitja Reichenberg (Slovenia) in conversation with the composer Jocelyn Pook (UK).
Mayyasa Al-Malazi and Jo Smith: Gift of a Girl (UK / India, 1997, 24’), video
This powerful and moving film explores the complexity of female infanticide in southern India, and shows steps that are being taken to eradicate the practice.
Karin Jurshich: The Peacekeepers and the Women (Die Helfer und die Frauen, Germany, 2003, 80’), video
The Peacekeepers and the Women explains in a post-war context how 'trafficking', the trade in women and girls for forced prostitution, has become a booming industry in Kosovo and Bosnia-Herzegovina.
Jocelyn Pook (UK): concert
Jocelyn Pook composes music for film, television, theatre, dance and the concert platform. Pook has toured and recorded extensively with many leading names in rock, pop and classical music - including the Communards, Laurie Anderson, Massive Attack, Ryuichi Sakamoto and Peter Gabriel - both as a soloist and with her Electra Strings ensemble. Her original scores, among others for Stanley Kubrick’s Eyes Wide Shut, Anne Fontaine’s How I Killed My Father (Comment j'ai tué mon pere) and Laurent Cantet’s Time Out (L’Emploi du temps), have established her as a highly original composer of screen music.
Nine members of the Jocelyn Pook ensemble shall be appearing in Ljubljana and shall perform music from her Real World album Untold Things, as well as selections from some of her film and television scores. Many of her concerts incorporate a strong visual element, most recently provided by the artist Dragan Aleksić.
Katrien Jacobs (Belgium / Hong Kong): Libi_Doc: Journeys in the Performance of Sex Art (2005), book presentation (in collaboration with Maska, the publishers)
Special guest: Marijs Boulogne (Belgium), performative intervention
In her book, Katrien Jacobs initiates a dual narrative in the personae of Libidot and Dr.Jacobs. Their subjects, and the subject of the book, are twenty-seven leading contemporary artists, whose work explicitly or subtly touches upon human sexuality and pornographic representation. On the occasion of the book presentation, Katrien Jacobs and Marijs Boulogne, an artist interviewed in the book, will engage in a unique interactive conversation about sex, love, death and ecstasy. 
City of Women Round Table
Life, Community and (Conditions for) Work
Thinking loudly about gender, queer and (post) feminism
Artists, critics, curators, writers, filmmakers - the festival participants - will discuss the conditions surrounding the (im)possibility to work, as well as reflect upon and deal with questions of (trans)gender, working conditions, politics and the perspective of different communities and institutions engaged in the field of contemporary art. It is not a question if gender matters (it does!), but rather what contribution it can make to changing neo-conservative and neo-liberal approaches to life, community and work, that currently reign over the world. The question is what other spaces, bodies and policies can be engendered in order to bring about true change, and not the mere simple improvement of the situation as regards difference, solidarity and equality.
Moderator: Marina Gržinić (Slovenia)
Guest of honour and keynote speaker: Tanja Karpela, Minister of Culture, Finland
In collaboration with: Peace Institute, Ljubljana
Chairs for Nursing Mothers , exhibition of textile design / chair throws for nursing mothers
Students of Faculty of Natural Sciences and Engineering, Department of Textile Design (Slovenia), supervisor: Professor Marjeta Godler
The project Chairs for Nursing Mothers is somewhat a continuation of last year's project entitled Textiles to Enrich the World of Sick Children (items produced for the Department of Psychiatry), and the results of both projects were presented as gifts to the University Children's Hospital in Ljubljana. Our basic idea has been to engender the somewhat lab-whiteness of a hospital with a more colourful ambiance and to use the primordial warmth of textiles created by women; and with the aid of imagination and creativity, to invoke a sense of ease and comfort. Indeed, the elementary component of textile creations is thread, which binds us to the most primordial and ancient experiences of our existence. 
Videoletters Group Berlin: Women Videoletters – a Second Text on War and Globalization (Germany, 2004, 90’), compilation of short videos
Women Videoletters – a Second Text on War and Globalization is a compilation of short videos, 'letters', sent by activists, filmmakers and artists from various countries. They are a reaction to the follow-ups of September 11th.
Anita Ponton (UK): Unspool (12’), live-art performance
The performer responds to her video doppelgangers: the two fade into one another and appear to speak but are merely lip-synching. The words have been taken from old Hollywood movies thence reworked into the soundtrack, all the time addressing the audience. The voices speak of discomfort, suicide and madness, threatening the live female. Nominated for Best Female Performance at the Dublin Fringe Festival, 2003.
Shelbatra Jashari (Kosovo / Belgium): Kismet (Fate), Belgium, 2003, 12’, video
War and eroticism are placed within the same context, relating religion and tradition to the topical position of Islam in the West. Kismet, from the Turkish word for fate – qismet – is an answer to fantasies about young girls starting revolutions. Set within a socio-cultural context, a succession of female characters perform the everlasting oscillation between attraction and repulsion. Awarded at Ghent’s COURTisane Festival in 2004.
Mania Akbari (Iran): 6 Video Arts (Iran, 2003-2005, 29’), video
The 6 Video Arts include Self, Repression, Sin, Escape, Fear and Devastation. Within this collection, colour, movement, form, shape and rhythm accompanied by music, reveal psychological layers that arise from an Eastern woman’s subconscious. Using contemporary implements and expressions, Akbari explains what she has received from tradition, belief, role models and ritual. This collection draws a path between two points: painting and cinema.
Zemira Alajbegović (Slovenia): Hitro počasi (Quick/Slow), Slovenia, 2004, 12’, video
The piece explores the modalities of time – circling, repetition, acceleration, speed, stillness and quiescence, as well as the interlacement of time and space – the yard, the kitchen, the bedroom – with the basic states of the human body and spirit: loneliness, hysteria and melancholy. The leading role is played by the Slovene dancer and choreographer Maja Delak.
Estela Žutić and Gilles Duvivier (Slovenia / Belgium): Provolution Action, tour
Christen Clifford (USA): Baby Love, theatre performance (world premiere)
Baby Love is a solo performance based on Clifford’s text originally published by Nerve.com. The 40-minute monologue directed by Julie Kramer (USA) explores maternal sexuality through the lens of personal experience. Raw, honest, funny and intimate, the performance explores the author’s changing sexuality after becoming a mother, and the placement of erotic energy onto her infant son. It also addresses the subtexts of sex after childbirth, questioning one’s sexual attraction towards one’s partner, as well as the stress of parenting a newborn.
The Slovenian translation of Baby Love, published in Apokalipsa, will be on sale prior to the performance.
Animation Film Program: selection by Culture2Culture (Austria)
The 13 animation films to be presented include the award-winning films of the 2005 Tricky Women festival (the only female animation film festival in Europe organised by Culture2Culture) and other animations pertinent to the main themes of the 2005 City of Women festival.
The City of Women will be attended by Gaëlle Denis (France / UK), the winner of the Tricky Women City of Vienna Prize and Festival Audience Award, City Paradise (UK, 2004) and Barbara Doser (Austria), Don’t piss down my back and tell me it's raining (Austria, 2002).
Special selection by the City of Women: Through Nostalgia (Skozi nostalgijo, Slovenia / UK, 2005) by Živa Moškrič (Slovenia / UK).
Anita Ponton (UK): Baggage (8’), live-art performance
A woman is caught in a place somewhere between life and death, trapped in a kind of limbo. Perhaps it is the voice of her conscience that tells her story, a story of rejection, revenge and suicide. Throughout the performance her composure disintegrates – she trembles and shakes to the point of physical breakdown.
Natalie Rose LeBrecht (USA), concert
Natalie Rose LeBrecht – previously known as Greenpot Bluepot – is a New York based artist with a fine arts background, who has quite a lot in common with the New Weird America scene, but also with Philip Glass, Laurie Anderson and other avant-garde performance artists. She plays a whole array of instruments and is known for an unsettling voice that morphs into different personae within each song, invading the listener's senses and illusions. Warraw (2003), to be understood as ‘war’ ‘raw’, is a sort of an epic dream split into eleven songs, where vocals play a central role. She has just completed her latest album entitled Imagining Weather.
Touring: Friday, 14th of October at 10 pm, MKK Črnomelj
Estela Žutić and Gilles Duvivier (Slovenia / Belgium): Provolution Action, tour
Conversation about animation film
Moderator: Igor Prassel (Slovenia) City of women festival collaborator
Participants: Waltraud Grausgruber, Birgitt Wagner (Culture2Culture, Austria) and artists Gaëlle Denis (France / UK), Barbara Doser (Austria).
Animation Film Program: selection by Culture2Culture (Austria), reprise
Marijs Boulogne and Sara De Bosschere (Belgium): Endless Medication, theatre performance
A story about women told and performed by two actresses looking for their own language, their own madness and their own truth in a patriarchal society. The performance is based on the text by Marijs Boulogne, for which she found the inspiration in the life of a 16th century nun and mystic, Saint Rose of Lima. Rose, a strange girl with a ‘fantasy of innocence’, receives a visit from God, and becomes pregnant. She is confined to a psychiatric hospital and condemned to endless medication, while the baby Jesus is thrown from the window.
The Slovenian translation of Endless Medication, published in Apokalipsa, will be on sale prior to the performance.
Marijs Boulougne will present a performative intervention on the occasion of the book presentation by Katrien Jacobs, Libidoc: Journeys in the Performance of Sex Art (Maska, 2005), Monday, 10th of October at 10 pm, Galerija Kapelica.
Do You Remember, Comrades?
PPF Podjetje za proizvodnjo fikcije / Company for the Production of Fiction (Slovenia), 80’-ies alternative female theatre group, video presentation 
Rosa Reitsamer (Austria): In the Mix: Race, Whiteness and Gender in Popular Culture, lecture and DJ session
Rosa Reitsamer is a sociologist, writer and DJ who has been working and researching women’s representation in visual arts, popular culture, and music. Prior to her DJ session, she will discuss how we can bring together people from different cultural contexts and different positions in society in the field of popular culture, inviting the audience to reflect on the following questions: How can we address cross-cultural sisterhood between individuals and groups from different backgrounds in the field of popular culture? Which conditions are needed in order to establish spaces for anti-racist and queer feminist work?
Ivana Sajko (Croatia): Žena-bomba Woman-bomb, auto-referential reading (first performance)
The auto-referential reading uses selected text from Ivana Sajko’s drama Woman-bomb, in which the author identifies with the figure of a female suicide bomber (Dhana, assassin of Rajiv Ghandi). It evolves around the question posed in the book, namely: What would you do if you had only 12 minutes and 36 seconds left? together with the answers received from people on Sajko’s mailing list. ¨It was my intention to move the focus of interest away from the heroine-terrorist who is the barrier of ‘the clock’, and make visible the various aspects from which we can speak, not only about terrorism but also about art˝.
Ivana Sajko will be accompanied by the musician Vedran Peternel (Croatia / France)
The Slovenian translation of Woman-bomb, published in Apokalipsa, will be on sale prior to the performance.
Andreja Rauch (Slovenia): TkalciWeavers, dance performance (premiere)
The performance is a display of four individual exhibits - situations presented in a sequence of four stories. Each of the four moves before the viewer; each has its own name, and each establishes its own world, whilst one sacrifices its title for the sake of the entity. The first piece entitled Spring Water is a prologue, while the second, Pavers, talks about the endless displacement of sediment deposited through time. These works are followed by the Two Gatherers, a narrative about the attachment and addiction to people and property. The performance is concluded by Weavers, in which the performers focus on weaving the pattern of a carpet that should in the end document the performance and round it up as an entity.
Participants of the workshop led by Juhyun Choi (South Korea / France) and Aurélie Levaux (Belgium), presentation of workshop results
Gustav (Austria), concert
Behind the name Gustav hides a female musician Eva Jantschitsch. Her debut album Rettet die Wale is a sort of alpine-electronic hybrid that sounds not unlike a crackling log-cabin variant of Björk’s icy charms. “Save the whales, overthrow the system,” urges Gustav, laying out the path towards a non-consumptive way of life. By citing Brian Eno, Talking Heads, Nina Simone, Tom Waits and Laurie Anderson as musical influences, she differs from contemporary IDM musicians, and her aired intimate/active synth draws out an authentic canvas on which both activist as well as humorously ironic colours are painted.
Electric Indigo (Austria), DJ set
Electric Indigo, a DJane and musician, has rocked clubs, raves and festivals in 33 countries. She started her DJ career in Vienna in 1989 with jazz and funk sets, but soon found her style in the Detroit and Chicago techno sound. In her Berlin years (1993-1996), she was responsible for purchasing and communication for the legendary record dealer Hard Wax. In 1998 Electric Indigo created female:pressure, an international database for female DJs, producers, and visual artists active in electronic music. In 2003 Electric Indigo started her own record label indigo:inc recordings.
DJ Trick-C is one of the few longstanding DJanes (Slovenia), DJ set
DJane Trick-C started at private techno parties, and continued at the The Day After party in Graz (Austria) which was followed by one of her major DJ sets, Alien Night in Celje 1998. After that she collaborated with various DJs until in 1999 she met Point in the legendary U-Bahn club, after which they became partners performing together under the name Caan Production. In addition to her DJ career, Trick-C also prepares programmes for various clubs and promotes new female DJ talent.
Miss House Wife (Slovenia), DJ set
Miss House Wife is already a well established and one of the finest female DJanes on the Slovene scene. She promotes a healthy electronic culture and self-expression through various styles, which is subtle fusion of house, new school, electropop, pumpin’ french house, micro house and disco house. In 1998 Miss House Wife started to spin across Slovenia, from small clubs with a more intimate atmosphere to bigger venues, including the nation’s finest club Ambasada Gavioli as well as the underground scene and including K4 where she was resident during 2002. Miss House Wife also played in Switzerland during the summer of 2004 (Les Amis, Samurai, Folie et Plaisir).
DSFU Evening: Women’s Creativity in Slovene Film
Dedicated to the sound director Hanna Preuss (Slovenia / Poland)
Short films selected by the author together with her commentary
A sound director, designer and editor, Hanna Preuss is a freelance artist and teacher; she is also a master of sound who has had an impact on the Slovene film over the past three decades. With her technical perfection, professionalism as well as emotional charge and creativity she has given Slovene film a new acoustic countenance.
Susan Sontag (1993-2004): American essayist, short story writer, novelist, human rights activist, a leading commentator on modern culture, whose innovative essays on such diverse subjects as revolution, pornographic literature, photography, AIDS as well as aesthetics of every conceivable type - from camp to fascist - gained widespread attention. Sontag also wrote screenplays and directed films, while in the 1960s and 1970s she had a great impact on experimental art and introduced many new stimulating ideas into American culture. Her books have been translated into thirty-two languages. Among Ms. Sontag's many honours were the 2003 German Book Trade Peace Prize, the 2003 Prince of Asturias Prize, the 2001 Jerusalem Prize, the National Book Award for In America (2000), and the National Book Critics Circle Award for On Photography (1978). In 1992 she received the Malaparte Prize in Italy, and in 1999 she was made a Commandeur de l'Ordre des Arts et des Lettres by the French state, having been designated an Officier of that same order in 1984.
Catalogue text by Nermina Kurspahić (Bosnia-Herzegovina), who collaborated with Susan Sontag during her stay in Sarajevo