VideoLibrary City of Women 1996

The City of Women VideoLibrary
presents a selection of recent art-related films and videos. The collection
includes work by young, emerging female directors; documentaries on
internationally acclaimed female “avant-garde” artists; the ICA
and the No Alternative Girls-videos (see page xx18); as well as some
audio-visual “backgrounders” for the City of Women Talks.

A glimpse at the programme:

“Nobody’s Here but Me” is a portrait of the New York based photographer Cindy Sherman. Sherman is known for her
portraits of women, in which she is not only the photographer, but also the
subject. She has produced hundreds of pictures of herself in a bewildering
variety of roles, from B-movie starlet to Old Master Photographer. Her
intriguing photographs have made Sherman herself a feminist icon.

“Invocation of Maya Deren” by director Jo Ann Kaplan evokes the life
and spirit of the Russian-born American experimental filmmaker and
film-theoretician. In the forties and fifties Maya Deren, through her films,
writing and lecturing, had a seminal influence on the emerging American film
avant-garde.

“Frida Kahlo & Tina Modotti” is a Laura Mulvey's documentary about two women
artists who lived and worked in Mexico
during the period of “Mexican Renaissance”. It shows how the painter Kahlo and
the photographer Modotti reacted in contrasting ways to the pressures and
opportunities of Mexico
in its post-revolutionary aftermath. The problems they faced are those which
still concern women artists today.

“The Desert is no Lady” by Shelley Willams offers a very different vision of the American
Southwest (Arizona, New
Mexico, Texas).
Looking through the eyes of its leading contemporary women artists, we are led
into the border territory where cultures meet and mix.

“The Fall” is an original dance work based on the life of Celeste
Dandeker, whose career as a professional dancer was abruptly ended by an
accident on stage which paralysed her legs. Directed by Darshan Singh Bhuller.

“Dalda 13 - A Portrait of Homai Vyarawalla”  directed by Monica Baker narrates the story of the
Indian photographer. Vyarawalla’s photographs cover more than three decades in
the birth of the “Young India”. From the assassination of Ghandi through the
optimism of independence, Vyarawalla’s unique interpretation goes beyond
documentation to represent the spirit of the times.

The “No Alternative Girls”-videos include (amongst others) films by the
new cult-director Sadie Benning (“German Song”, “Welcome To Normal”, and
“Girlpower”); Tamra Davis’ five minute documentary “No Alternative Girls”;
Diamanda Galas’ “Judgement Day”; spoken word-shows by Lydia Lunch; “Under Lock
and Key”, “Stigmata”, “Thanatopsis”, and “Belladonna” by New York’s underground
film-making Beth B.; Vivienne Dick’s “New York Conversations”; and Annie
Sprinkle’s do-it-yourself sex-video-workshops.

“White Homeland Commando” is an unconventional American TV-serial
directed by Liz LeCompte (The Wooster Group), in which she comments on the rise
of hate crimes, Klan-based electoral activity and white supremacist attitudes
in the US
today.

The Canadian, UK-based performer/choreographer/filmdirector Alison
Murray attacks gender stereotypes in “Wank Stallions”, “Kissy Suzuki Suck”,
“Pantyhead”, “Sleazeburger” and “Bad Mood Woman”.

In her “What does she see when she shuts her eyes?” Karen Vanderborght
takes us on a surreal journey and in her “The Queer or Dead Long Live The
Queer” she demands tolerance in electronic colours, with as special guest the
queen of England.

Furthermore video-art by Ana Torfs (“Condition” and “Il Combattimento
di Tancredi e Clorinda”), Ghislaine Gohard (“Moksha” and “Aktualismus”).

A complete list of films and videos is available in Cankarjev dom
V-Room.

In collaboration with The British
Council; The Arts Council of England; ICA; argos